從劇院到展覽館，來自電影《一一》的靈感和回應疫情時代進行舞台劇改編的創作歷程交匯演變所誕生的映像裝置藝術作品。

疫情下，人在台北的路嘉欣與王宏元，與香港演員張國穎以及非常林奕華團隊將原本時空的限制，變成實驗的場域，誕生7個最現實的狂想與7個最超現實的冥想，共構出14個視覺與聽覺的小宇宙——由《一個人的一一》的微型舞台概念延伸，荃灣大會堂展覽館化身為給現代都市人「進入夢境」的鬧市搖籃。

以「失眠」主題出發、帶動「沉思體驗」，通過大小不一的放映媒介呈現14段創作影片，配合燈光、音響的設計，築出感官體驗的探索。當你走進展覽空間，將經歷婷婷，也感受婆婆──是現代人的無法休息，也是現代人的難以醒來。

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Led by creative journey inspired by Yi Yi the film and in response to the age of the pandemic, the adaptation has evolved into a video installation art piece. During the pandemic, Lu Chia-hsin and Wang Hung-yuan in Taipei, together with Hong Kong performer Margaret Cheung and the ELDT team, had transformed time-space constraints into a playground for experiments. The result are 7 realist rhapsodies and 7 surreal meditations, adding up to 14 visual and audio micro-universes. The idea of a micro-stage in 14 Variations on the Theme of Yi Yi extends into a crib for modern urbanites in the Tsuen Wan Town Hall Exhibition Gallery.

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The installation begins with the theme of “insomnia” and invites a “meditative experience” through 14 creative videos on projection/playback mediums of various sizes, which combines with lighting and sound designs to form a multi-sensory experience. When you enter it, you walk in the shoes of Ting Ting and Grandma – which is also the modern person’s inability to rest and to wake up.